Ribbon mics have been around for a long time, and have always been particularly prized for the exceptionally “natural” sound they provide. Not too forward, never bright or shiny, they capture midrange detail with a pleasant intimacy and usually sit quite easily in a mix. One downside of their mellow nature used to be physical delicacy, but that challenge was conquered long ago with more rugged, reliable materials. But the other main negative with ribbon mics is the high-frequency roll-off inherent in their design, which had never been dealt with until Rupert Neve – the father of the recording console – decided to make a microphone.

THE TRANSFORMERS

Nobody knows audio transformers better than Rupert Neve, and ribbon mics require more transformer attention than any other. This is because the transformer that couples the ribbon to the output needs to accomplish a fairly massive impedance conversion. With the RNR1, two custom Rupert Neve-designed transformers form the buffer between the ribbon and the outside world. The circuitry between those transformers helps maintain the ultra-wide frequency response, compensating for the ribbon’s natural predisposition to roll it off, and thus high-frequency content is preserved.

MATTE BLACK FINISH & CUSTOM SHOCK MOUNT

The matte black finish means the mic remains unobtrusive and doesn’t draw any unnecessary attention to itself under harsh stage or studio lighting with a custom-designed and easy-to-use shock mount, which is essential in use to reduce the unwanted effects of vibration or knocks to the supporting microphone stand.

THE SHAPE

As with many sE microphones, the RNR1 has an unusual and bold design aesthetic, with the form following the function. The precision-machined and scalloped edges don’t just look vibrant and dramatic, they have also been custom-designed to provide the ribbon with an acoustically ideal setting for the best possible frequency response.

GOLD-PLATED XLR CONNECTOR

Ensures loss-free, reliable signal connection for years and years of demanding use in the studio or on stages worldwide.