Four-Layer Acoustic Filter Design

Acoustically, the guitaRF is very similar to our best-selling RF-X, with a four-layer acoustic filter design comprised of the vented outer composite panel, a layer of acoustic-grade wool, an air gap to help with low-frequency isolation, and an inner acoustic foam layer. The guitaRF also has an integrated pass-through hole with a rubber-finned grip that securely holds just about any dynamic or small-capsule mic on the market.

Control Your Sound in Loud Settings

FOH Engineers worldwide have used the guitaRF in front of their amp cabinets to reduce stage bleed into their guitar mics and to simplify using microphones such as ribbon mics in a live setting. Ribbon mics have a figure 8 pattern and pick up sound from both sides, making them more susceptible to stage bleed. The guitaRF provides a level of protection that allows the use of ribbon and even large-diaphragm condenser microphones on cramped & noisy stages.

Forget About Phase Issues

Adjustable across three axes – vertical, horizontal and depth. Position both capsules perfectly in phase or capture the sounds of both the edge of the cone and dust cap.

The Cable Clip

A double-cable clip is also provided that screws in to the back of the filter, so you don’t need to worry about dangling mic cables that could accidentally tug your mics out of position.

Hand-made in Our Own Factory

Just like our best-selling RF-X Reflexion Filter, each guitaRF is hand-made with the highest attention to detail in our very own factory.

Not Just for Live Sound

The guitaRF is equally useful in the studio as well to minimize room reflexions, studio clutter and phase issues. Simply by using the integrated dual-mic mount, the guitaRF ensures each microphone capsule is aligned perfectly, so the most common mistakes made when recording or live on stage are a thing of the past.

Built for Custom Use Cases

The large-diaphragm and ribbon microphone mounting hardware is adjustable across three axes – vertical, depth, and lateral – so you can find the perfect spot for any mic, whether in a shockmount or just on a clip. This allows the positioning of both capsules to be perfectly in phase – or to spread them apart to capture the sounds of both the edge of the cone and the dust cap.

HEIGHT ADJUSTABLE

The entire filter + mic assembly can also be moved up and down to position it precisely over the perfect spot on the speaker cone – or, if needed, the filter can be removed from its base and mounted on any mic stand for complete flexibility.