Blackmagic PYXIS 6K EF Mount
12,126.00 Excl. VAT
- 6048 x 4032 Full Frame HDR Sensor
- 36mm x 24mm (Full Frame) Sensor Size
- 1500 nits Brightness
- 12G-SDI Up To 2160 p60 Video Outputs
- 3.5mm Headphone Jack Audio Output
- mini XLR / 3.5mm Audio Inputs
- USB Type-C Interface
- 12 VDC Power Source
- LCD Touchscreen
- Mac 13 Ventura / Mac 14 Sonoma / Windows 10/11 OS
- EF Mount
Available on backorder
The World ‘s Most Riggable Full Frame Digital Film Camera
Introducing the next generation customizable cinema camera! Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K sensor with wide dynamic range with a built in optical low pass filter that’s been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time.
Designed for Maximum Customizability
With multiple mounting points and accessory side plates, it ‘s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS ‘ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1/4″ and 3/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that ‘s both rugged and reliable.
Get the “Hollywood Look” with Digital Film
Blackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It’s the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video.
Large Format Cinematic Digital Film Sensor
Blackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That’s almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you ‘re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.
Full Frame Flexibility
The large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up ‘ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality.
Three Great Models
With 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice.
Shoot Incredible High Dynamic Range (HDR) Images
The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading.
Dual Gain ISO for Exceptional Low Light Performance
In digital film ISO is a measurement of the image sensor ‘s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it ‘s possible to shoot using natural light even at night! Blackmagic PYXIS features dual native ISO up to 25,600, which means it ‘s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it’s easy to capture great images when you don ‘t have time to set up lights.
| Weight | 2.37 kg |
|---|---|
| Dimensions | 27.43 × 19.56 × 17.53 cm |
| Effective Sensor Size | 36mm x 24mm (Full Frame) |
| Lens Mount | Active, locking EF lens mount. |
| Lens Control | Iris and focus on supported lenses. |
| Dynamic Range | 13 Stops. |
| Dual Native ISO | 400 and 3200 |
| Shooting Resolutions | 6048 x 4032 (Open Gate 3:2) up to 36 fps 4832 x 4032 (Anamorphic 6:5) up to 36 fps 6048 x 3408 (6K 16:9) up to 46 fps 6048 x 3200 (6K DCI 17:9) up to 48 fps 6048 x 2520 (6K 2.4:1) up to 60 fps 4096 x 3072 (Super 35 4:3) up to 50 fps 4096 x 2304 (4K 16:9) up to 60 fps 4096 x 2160 (4K DCI 17:9) up to 60 fps 2112 x 1184 (Super 16 16:9) up to 100 fps 1920 x 1080 (1080 HD 16:9) up to 120 fps |
| Frame Rates | Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Off-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD. |
| Metadata Support | Automatically populated lens data from electronic EF lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files |
| Total Video Outputs | 1 x 12G-SDI up to 2160p60 1 x Viewfinder USB-C with power, data, video and locking connector |
| Analog Audio Inputs | 1 x mini XLR analog audio in, switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input. |
| Standards | HD Video Standards 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 Ultra HD Video Standards 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60 SDI Compliance SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10. SDI Audio Sampling Television standard sample rate of 48 kHz and 24‑bit. |
| Control | External Control Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles. iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over Ethernet for external control via HTTP when used with REST client applications such as Postman. |
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